Cineworks has six 20" & fifteen 40" C-stands

20" C-stand. 2 risers and 3 sections. 5/8" "baby" stud.

Sound blankets, also known as moving blankets, moving pads, furny pads and more... help to deaden sound and reduce outside noise while recording sound. Sound blankets are also an inexpensive way to protect gear and floors from wear and tear. Great for blocking a window from spilling light onto your set. Sound blankets are perfect for covering furniture and other home furnishings, like pianos, to keep safe from gaffers and grips on location sets. In a pinch, a couple of sound blankets on a c-stand arm provides a quick dressing room or voice over sound booth.

All that's needed is a flat surface for its base and optional screws to mount it to walls, ceilings or floors. It's often gaffer-taped to apple boxes or the floor to temporarily support lighting equipment at a very low angle. The industry standard 5/8" diameter pin fits a very wide variety of lights and other gear with a matching 5/8" receiver.

Beanbag-like camera support

Mini: 30"-53", Medi: 53"-96", Maxi: 95"-178"

40 x double sandbags

Bead Board Clamp

The Cantrell Holder is a 3/8' shaft, threaded at one end with square plates attached. The foam core is 'speared' and the white plate is then mounted on the foam with the wing nut. The shaft may then be mounted into a Grip Head and the foam core placed and held in position on any stand.

Drop Ceiling Scissor Clamps attach to the dropped ceiling tile support rails found in many offices and allows the mounting of small lighting instruments on the pin without the need of a stand.

Strong, durable. Perfect for holding a reflector board, gathering cloth backgrounds or drapes, or securing a roll of seamless paper to its crossbar.

Mafer Clamp with baby (5/8") pin. With a padded grip surface and a unique design combining one flat and one v-notched jaw, Mafer Clamps are used to attach fixtures and equipment to a variety of irregular surfaces, including furniture.

Gaffer Grip with 5/8" pins is a multi-use clamp which can hold small light fixtures virtually anywhere that the adjustable jaw can clamp over.

A metal 4’ x 4’ frame for diffusion gel which can be placed in front of a light to create a large soft source. Built in spigot. Add your own diffusion.

Collapsible reflector discs in various sizes.

Cutters are square or rectangular frames with mounting pins attached. Used to control natural or artificial light. Can be used to protect the camera lens from flares, control spill light from other sources, or keep light from reaching an area on the set.

Comes with 5 flags, 2 single nets, 2 double nets, and 2 silks

Comes with 5 flags, 2 single nets, 2 double nets, and 2 silk

5 sets (1 full, 1 half, 1 quarter, 1 pancake)

Series 9 - ND3,ND6.ND9, 85, 85N3, 85N6, 85N9, +2 diopter, +4 diopter, polarizer

3" x 3" - ND3,ND6.ND9, 85, 85N3, 85N6, 85N9, 81 EF, LC3, LLD, Pola

4" x 4" - 85, 85 N3/N6/N9/N12, ND3/ND6/ND9, Polarizer, SFX 1/2, SFX 1, LLD, BPM 1/8, ND3SE, ND6HE, ND6SE, PM1/2, ENH

Zeiss T1.3 high speed prime lenses: 18mm, 25mm, 35mm, 50mm and 85mm 25-250mm Zoom Angenieux HR T3.5 w/

NB. Zoom Lens is not included in this package. 2x extender, zoom motor, microforce control = extra $250/day

The Samurai is a portable touchscreen-operated HD recorder, monitor and playback device for video professionals. It captures pristine 10-bit 4:2:2 video and audio direct from any camera with HD/SD-SDI output. The Samurai consumes very little power, ensures long recording times and the efficient use of batteries. Comes with 500GB storage (approximately 10rs recording time) and docking station to transfer files to your computer.

 

• Lens: 25-250 Angenieux HR
• T-Stop: 3.5
• Min. Focus: 5ft. 7in.
• Weight (lbs): 10.5
• Front Dia.: 156mm

5.9 mm Angeniux T 2
9.5 mm Zeiss T 1.3
12 mm Zeiss T 1.3
16 mm Zeiss T 1.3
25 mm Zeiss T 1.3
50 mm Zeiss T 1.3
85 mm Zeiss T 1.4
light weight follow focus

12-120 mm zoom Angenieux T 2.3

 

Take this great 20" production monitor out with you for your next shoot and see just how great everything is going to look.  AC or DC powered, accepts component, HD-SDI and HDMI feeds.

 

Screen Size 20” Resolution 1600(H) × 900(V) Dot pitch 0.2766(H) × 0.2766(V) mm Aspect Ratio 16:9 / 4:3 switchable Brightness 250 cd/m² Contract 1000:1 Response Time 8 ms Viewing Angle Left/right 178° / Up/down 178° Voltage Input Input: AC100~240V 50/60Hz  Output:DC12V Powder Consumption ≤ 38W Installation Desktop or VESA mount Monitor Size L475 × H298 × D45 mm Total Weight 6.8 kg

The classic analog light meter for battery-free ambient light readings; measures both incident & reflected light.

Compact spot meter ideal for landscape, nightscape, stage performance or other situations where precise metering is necessary.

The Spot meter's accuracy is highlighted by the 1 degree angle of view (equivalent to a 4000mm telephoto lens), with readings shown on a display in the viewfinder.

By capturing frames at selectable intervals, an intervalometer opens up whole worlds of compressed time (think clouds flitting by, or the sun moving rapidly through the frame). A variety of user-selectable open‚ and closed‚ shutter speeds. Fits the Bolex only.

Electronic and Battery Ballasts, Lighthouse

KinoFlo 4 x 2' lighting kit. Comes with head, cables, stand.

Features • 36° field angle • Rated up to 750W • Super-efficient HPL lamp • Faceted dichroic reflector removes 90% of IR heat from beam • Interchangeable lens tubes • Rotating barrel +/-25% • Three-plane stainless-steel shutter blade assembly • Tool-free lamp adjustment • Insulated rear handle • Rugged die-cast aluminum construction

A 1200W HMI Par. Includes Globe, Lens (4), Magnetic Ballast, Head Feeders (2), Scrim Set (5) & Barn Doors

Two 4 x 4 heads, 2 ballasts & head cable

Fresnel lenses
4 x 650 watt heads

A selection of popular Arri lighting fixtures together in one case!

• 1 x Arri 1K
• 1 x Arri 150w
• 2 x Arri 300w

plus stands and scrims

 

This ARRI 575 Plus 3 Light Kit is an ideal core kit featuring 3 advanced design ARRILITE 750 Plus fixtures with scrims, 120V AC lamps, stands and a heavy duty wheeled case.

The ARRILITE 750 Plus is an enhanced version of the tried-and-true ARRILITE open face line. ARRI started with the basic design of the ARRILITE 800 and optimized the reflector to increase output 21% using HPL lamps which employ a compact filament that concentrates and augments light while increasing efficiency. The result is almost double the output. A redesigned one-arm stirrup instead of a yoke facilitates greater movement while the dedicated accessory holder allows use of Chimera softboxes without a speed ring.

36" x 48"
Blonde & Redhead quad speedrings

4 x 1000 watt heads, stands, scrims

Fresnell

Fresnell

For those in need of a small, on-camera LED solution, the ikan iLED 144 is the light for you. Featuring a bright, wide angle beam pattern, this 144 bulb LED light has you covered. With switchable daylight to tungsten, intensity dimmer and on-board battery indicator, and multiple light stacking options, the iLED 144 gives you unparalleled accuracy and control.

Wide Angle Beam Pattern

Tungsten to Daylight Switching

Intensity Dimming

On-Board Battery Indicator

Stackable Mounting Option

0 and 90 Degree Honeycomb Louvers

Kino Flo True Match® lamps are the only High Output (HO) fluorescent lamps designed to correspond to the spectral sensitivity of film and digital imaging. In 1995 Kino Flo was awarded an Academy Award for Technical Achievement for its unique lamp engineering and fixture designs.

Kit includes:

• 2 x Kino Flo 2ft 2 banks
• 2 x ballasts, head cables
  

Several cables available, both in interior and exterior weights, and in 25' and 50' lenghts.

Fresnell
2 x 450 watt heads, 2 x 100/200 watt heads

Max payload 25-30 kg

MAX payload 35-40 kg

Get the best of both worlds with this integrated lighting kit featuring 2 x Arri 750w open face lights and 2 x Strand Bambino 650w fresnels (comes with stands, scrims and case).

Breakout box to grab AC power from dryer / stove outlets.

Max load 25 kg

Max load 25 kg

Cardioid dynamic microphone with a bronze cap that acts as a windscreen/pop filter. Recommended for paging and conference systems. The cardioid pattern controls feedback while smooth frequency response makes the D 190 E equally adaptable for general purpose speech or instrument applications

Super Cardiod Mic. Off-axis noise is picked up at a reduced level but without colouration. Extremely low self noise, good transient response and high output level.

Specifications

• Acoustical operating principle Interference transducer
• Directional pattern Supercardioid/lobe
• Frequency range 20 Hz - 20 kHz
• Sensitivity at 1 kHz into 1 kohm 21 mV/Pa
• Rated impedance 150 ohms
• Rated load impedance 1 kohms
• Equivalent noise level, CCIR1 23 dB
• Equivalent noise level, A-weighted 12 dB-A
• Signal-to-noise ratio, CCIR1 (rel. 94 dB SPL) 71 dB
• Signal-to-noise ratio, A-weighted (rel. 94 dB SPL) 82 dB
• Maximum SPL for THD 0.5%2) 128 dB
• Maximum output voltage 2.6 dBu
• Dynamic range of the microphone amplifier (A-weighted) 116 dB
• Supply voltage (P48, IEC 61938) 48 V ± 4 V
• Current consumption (P48, IEC 61938) 0.7 mA
• Matching connector XLR3F
• Weight 250 g
• Diameter 21 mm
• Length 395 mm

 

The Pearl MS 8 is specially made for Mono-Stereo (MS) recording of TV, Video and Film production. The microphone is very light, an advantage for using on a pole. This microphone is available in many versions such as different sensitivity. In the MS 8 the ´M´ and ´S´ channels are output independently for external processing - this may be recorded directly and mixed subsequently in an MS matrix to provide variable stereo width. They are very resistant against moisture, dust, change in the temperature etc. The amplifier provides low noise and transformerless output. The microphone requires phantom power. An LED illuminates when phantom power is connected. The microphone is finished with durable black powder coat paint.

Sensitivity: 20 mV/Pa, Rec. min. load imp: 1 kohm

 

PZMs (Pressure Zone Microphones) are omnidirectional boundary microphones. They can be placed on a large surface such as a table, floor, wall, or lectern. PZMs prevent phase interference from surface reflections, allowing a wide, smooth response. Microphone sensitivity is boosted 6 dB by the surface mounting.

 

The Rode Stereo VideoMic Pro's capsule feature a matched pair of 1/2" cardioid condenser capsules, mounted in a coincident X/Y position for accurate stereo imagery and detail. The microphone's small, ergonomic footprint features an integrated shock mounting system for superior isolation from vibration and mechanical noise. The multi-strand output cable is terminated with a 1/8" (3.5mm) output connector and delivers significantly lower noise transference than traditional audio cable.

The included shoe mount features an integrated shockmount system for even further protection against handling noise. The Stereo VideoMic features a high pass filter switch at 75Hz for minimizing low frequency noise, and a -10dB Pad for maximizing headroom for capturing loud signals without distortion. The +20dB level boost switch is specifically designed to provide a higher quality signal with DSLR cameras. When activated, camera preamp level is reduced, resulting in a lower noise floor and much clearer recording.

Broadcast recording quality on-camera microphone Matched pair 1/2" condenser capsules in XY stereo configuration Ultra lightweight, compact form factor Two step High Pass Filter (flat, 75Hz) Three position level control (-10dB, 0, +20dB) 9V battery powered - over 100 hours use (alkaline) Integrated shock mounting Integrated foam windscreen 3.5mm stereo mini-jack output Billeted metal camera shoe mount with 3/8" thread for easy boompole mounting

Two microphones (requires 48v phantom power) with cardiod,hyper-cardiod, and omni capsules, bass cut, extension cable, ceiling adapter and Rycote suspension system. One of the best microphone packages in Vancouver.

Microphone (requires "T-power") with cardiod and hyper-cardiod capsules, bass cut, and Rycote suspension.

Short Description

The ME 66 is a shot gun microphone capsule designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matte black, anodized, scratch-resistant finish.

Features

• Super-cardioid/lobar pick-up pattern
• Highly directional
• Low inherent self-noise
• High sensitivity
• Wide frequency response

Specifications Pick Up Pattern Super-cardioid/lobar Frequency Response 40 - 20,000 Hz ' 2.5 dB Sensitivity 35 mV/Pa ' 2.5 dB Nominal Impedance 200 Ohms (with K6) Min Terminating Impedance 1000 Ohms (with K6) Equivalent Noise Level 16 dB CCIR-weighted (CCIR 468-3)27 dB Max Spl 125 dB (THD = 1 %) Dimensions 22.5 x 221 (mm) Weight 65 g

The ME-80 is a electret condenser microphone. It operates off of a nominal voltage (usually 1.5 volts) which is derived from an internal battery.

 

• Frequency response: 50 Hz - 15 kHz
• Acoustical mode of operation: pressure gradient interference transducer
• Directional characteristsic: supercardioid / club shaped
• Sensitivity at 1 kHz : 5 mV / Pa ± 2.5 dB
• Signal-to-noise ratio : > 67 dB

 

Shotgun condensor mic

Frequency response 40 - 20,000 Hz

The MKH 815 T is a directional studio microphone with a relatively narrow directional pickup pattern.

• diameter : 19 mm
• length: 55 cm
• Frequency response: 50 Hz - 20 kHz
• Sensitivity at 1000 Hz : 4 mV/µbar ± 1dB, 4 mV/Pa ± 1dB
• Impedance: approx. 20 Ω symmetrical earth free
• Signal-to-noise ratio: 72 dB
• Operating voltage: 12 V ± 2 V
• Current taken: approx 6 mA
• temperature range: -10° C to + 70° C

The MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.

Features

• Increased directivity due to interference tube principle
• Very low inherent self-noise
• High sensitivity
• Transformerless and fully floating balanced output
• Rugged, suitable for adverse climatic conditions
• Matt black all-metal casing
• Supply schedule: 1 MKH 416 P 48 U 3, 1 MZW 415 windshield

Technical Data Pick-up pattern super-cardioid/lobar Frequency response 40 - 20,000 Hz Sensitivity (free field, no load)(1 kHz) 25 mV/Pa +/- 1 dB Nominal impedance 10 ohms Min. terminating impedance 400 ohms (200 ohms to 30 Pa) Equivalent noise level A-weighted (DIN IEC 651): approx. 14 dB CCIR-weighted (CCIR 468-3): approx. 24 dB Max. sound pressure level 128 dB at 1 kHz Power supply phantom 48 +/- 12 V Supply current 2 mA Dimensions 19 mm x 250 mm Weight 175 g

electret condenser, omnidirectional lavalier

Features

• Miniature Electret Condenser Microphone
• Minimum sound coloration for universal use
• Easily combined with boom microphones
• Tiny, lightweight and compact; easily concealed
• Extensive range of mounting accessories
• Wide frequency response
• Very low rubbing noise
• Internal battery or 12-48V phantom power* (*with positive bias version only)
• Detachable 250 Q power supply
• Available in 4 colors: black, gray, white, tan
• Large range of connectors for direct use on a wireless transmitter
• Strong, durable and reliable
• One-year warranty

Specifications

• Size: .18” x .300” x .55”
• Type: Omni-directional electret condenser
• Freq. Response: 40 - 16,000 Hz
• Noise Level: 26dB equivalent SPL
• Maximum SPL: 134dB
• Output Level: -57dB
• Nominal Impedance: 3,000Ω (TR-79 Power Supply - 250Ω)
• Operating Voltage: 1.5V
• Current Drain: 20-30 microamps (TR-79: 80-100 microamps)
• Battery: 357 (SR44W/313)
• Isolated Mic Element: To reduce rubbing noise
• Bias: Negative and Positive
• Cable: Sturdy, Flexible (TR-50BPS – 9 ft. long)
• Available mic colors: Black, Gray, Tan, or White

The DS10 supports ultralight DVCAM camcorders with a rock-solid yet lightweight tripod plus Miller's renowned silk-smooth fluid action.

• Payload capacity: 5 kg (11 lb)
• Mounting Standard: 75mm ball leveling
• Transport Length: 1.1 m (43.3 in)
• Payload capacity: 5 kg (11 lb)
• Payload Range: 2.5, 5 kg

 

 

This system uses the innovative 504HD Fluid Video Head  to create an ideal combo of stability, and smooth, precise control. This compact, versatile system was designed with independent video and DSLR shooters in mind, and provides the level of ergonomics and support required by today's small crews.

 

• Fluid head with 7 levels of drag for both pan and tilt.
• Heavy Duty construction
• Maximum load: 110 lbs / 49.9 kg
• Tilt: ±75°

Load Capacity of 6.5 lb Maximum Extension of 6' Weighs Less than 3.75 lb Folds Down to 24" Magnesium-Aluminum Alloy Construction 3/8"-16 Tripod Mount Fluid Pan Base Monitor/Accessory Mounting Ports Includes Ballast Bag Includes Padded Carry Bag

Contains everything you need to shoot professionally with  your DSLR:

 

• Handheld brace
• Follow focus with whip and speed crank
• Mattebox with sunshade
• Takes 4" x 4" filters
• Go from handheld to studio mode without changing configuration

Decription Coming Soon...

Kit for wirelessly monitoring audio.

Wireless diversity transmitter and receiver. Excellent range and signal strength. Takes 9v batteries.

General Description

Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.

Features

• Sturdy metal housing (transmitter and receiver)
• 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
• Enhanced frequency bank system with up to 12 compatible frequencies
• Adaptive-diversity reception for high reception quality
• Pilot tone squelch for eliminating RF interference when transmitter is turned off
• Automatic frequency scan feature searches for available frequencies
• Enhanced AF frequency range
• Increased range for audio sensitivity
• Wireless synchronization of transmitters via infrared interface
• User-friendly menu operation with more control options
• Illuminated graphic display (transmitter and receiver)
• Auto-Lock function avoids accidental changing of settings
• HDX compander for crystal-clear sound
• Transmitter and receiver feature battery indicatation in 4 steps
• Programmable Mute function
• Contacts for recharging BA 2015 accupack directly in the transmitter or receiver
• Wide range of accessories adapts the system to any requirement

Package includes with the Arri 35BL-IVS camera body (4-36 fps)

• colour video tap
• Arri follow focus
• Arri MB14 matte box w/ all accessories
• Film magazines(3) 1000 ft. and (3) 400 ft. mags.
• Sachtler Studio 80 II (Mitchell flat mount) fluid head w/ standard and baby tripod legs, hi-hat, lo-hat
• A set of Zeiss T1.3 high speed prime lenses (18, 25, 35, 50 and 85mm) Additional $75/day

The Bolex EBM 16H Kit includes:

Bolex EBM 16H Body 400 ft Magazine attachment Bolex Hand Grip Bolex Filter Set

Lenses and Battery not included.

Package includes

• 10-100 mm Zeiss T3 zoom
• 3 x 400 feet magazines
• 3 on-board batteries
• Media Logic crystal speed control
• 3" x 3" lightweight matte box
• Tripod
  
  Add another 16mm lens for additional $25.00

12-120 mm zoom Angenieux T 2.3
1 magazine, MOS

Arri S An obvious product of the same school of fine German engineering that gave us Volkswagens, Panzer tanks, and autobahns, the Arri S is one of the finest 16mm MOS cameras ever made. Ours is in great shape. 400' mags available for those with the appropriate dent in their foreheads.

• 17-85 mm zoon Kern Varioswitar F 3.5
• 10 mm Kern Switar F 1.6
• 16 mm Kern Switar F 1.8
• 25 mm Kern Switar F 1.4
• 75 mm Kern Macro-Switar F 1.9

Bolex Rex5 The camera that graced the cover of Lenny Lipton's seminal "Independent Filmmaking", the Bolex is THE symbol of low budget independent film-based work. Flexible, mobile, and noisy. Spring wind limits length of shots to 24 seconds. Comes with a teeny tiny crank for those who want to do their own in-camera dissolves.

10-150 mm zoom Angenieux T 2.3
25 mm Zeiss Planar T 2.2
2 x 400 feet magazines

Sync sound, fairly lightweight, detachable mags, quiet, these were the 16mm cameras which made possible the whole cinema verite‚ or direct cinema‚ schools of documentary filmmaking (Salesman, Gimme Shelter, and countless NFB docs) and which defined documentary filmmaking for years. They were also used to shoot numerous low budget dramatic features, and scads of shorts. The NPR is the earlier incarnation- heavier, but, some say, more durable. (Others just say heavier.‚)

12-120 mm zoom Angenieux T 2.3
2 x 400 feet magazines

Lightweight, easy to use, and quiet enough to shoot sync sound (outdoors, anyway) CP16s were THE camera of choice for TV newsgathering for years. Not a bad second (or third) camera for a film-based documentary, but probably not quiet enough for a first. Only take Angineaux zoom lenses, which tend to vignette at close focus (a fact usually discovered whilst viewing rushes.)

Lens: Canon zoom 1,8 / 9,5 - 47,5 mm Microprism Focusing Auto / Manual Zoom Frame rates: 18, 24, 'approx. 36' + single frame (single frame only via cable release) Manual / Auto Exposure (Auto-exposure mechanism reads:25T/16, 40T/25, 64T/40, 100T/64, 160T/100, 250T/160 and 400T/250) Fades Remote control socket Cable release socket No sound

Our Zoom H4N Pro comes with two 16Gb SD Cards.

This is a very versatile recorder. It has two XLR inputs in addition to its built-in microphones. This recorder can be used in many scenarios, including recording on set, live music, and in studio.

The DR-60DmkII is the audio recording solution for on-set filmmakers and videographers. It is designed to fit perfectly under a DSLR camera rig.

The HDDA microphone preamps provide up to 64dB of gain, up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8” stereo connector for wireless and lavaliere microphones.

Comes with two 16Gb SD Cards.

The 744T is a powerful four-track file-based digital audio recorder. The super-compact 744T records and plays back audio to and from its internal hard drive, Compact Flash cards, and external FireWire drives, making field recording simple and fast. It writes and reads uncompressed PCM audio at 16 or 24 bits with sample rates between 32 kHz and 192 kHz. Compressed (MP3) audio recording and playback from 64 kb/s to 320 kb/s is also supported.

More info on the Sound Devices website

Tascam DA-P1 - Digital (DAT tape) two-channel recorder (no time-code). Internal batteries do not last long, so ask about extra power if using away from electric sources.

10', 25', 50', 75'

SMPTE/EBU Time Code slate

Standard Sobrante Dry-Erase Slate / clapper - no timecode

Type Circum-aural, closed Driver Units 40 mm dia., dynamic Impedance 63 ohms at 1 kHz Sensitivity 106 dB/mW Rated power 0.5 W Power handling capacity 1 W Frequency response 10–20,000 Hz Cord 3 m (extended length) coiled cord Plug type Gold plated Stereo unimatch, 1/4" and 1/8" Weight Approx. 230 g (without cord)

Field mixer with four inputs, line or mic (phantom power T and 48v). Two channel output at line level. Takes AA batteries.

The FP31 is a portable electronic news gathering (ENG) electronic field production (EFP), or film production, mixer that provides the quality and features needed for remotes.

Features Inputs

• Three transformer-coupled, 3-socket XLR-connector inputs; each switchable to low-impedance microphone or line level
• Lo-Cut filters available at each input to reduce extraneous low-frequency interference
• (Phantom) simplex or A-B power for condenser microphones available at each microphone input
• Built-in tone oscillator for level checks or line tests
• Slate microphone with automatic gain control (AGC) for take identification or for emergency use
• Slate tone for identifying take locations during editing

Outputs

• Two transformer-coupled, 3-pin XLR-connector outputs, each switchable either to low-impedance balanced microphone or to 600-ohm balanced line level
• Tape output to feed tape recorder input or other unbalanced Aux-level input
• Front and side panel stereo headphone jacks (8 to 2,000 ohms, and 3.5 mm jacks) with separate Phones level control. Either or both jacks can drive Aux or unbalanced line-level inputs. Four separate sources can be driven from these two headphone outputs.

Controls and Indicators

• Active, feedback-type input gain controls permit direct input of high-level sources without input attenuators
• Built-in Limiter with adjustable threshold -prevents output clipping of mixer or input overload of amplifier, telephone line or tape recorder
• LED indicator flashes with Limiter operation or to signal overload with Limiter defeated
• Professional VU meter, factory set for 0 VU = + 4 dBm, internally adjustable for other VU levels
• VU lamp, stays illuminated while pushbutton is depressed, automatic 5-second turnoff after button is released.
• Battery check function with readout on VU meter
• Master gain controls level at Line/Mic and Tape outputs as well as tone oscillator level
• Phones level control adjusts output at both headphone jacks

Power

• Mixer is powered by two standard 9V alkaline batteries that also supply simplex power for condenser microphones
• Extreme!y low battery drain provides 8-hour minimum battery life under normal conditions
• Separate 9V alkaline battery supplies A-B power for condenser microphones; third battery is not required if power is not used
• Spring-loaded battery compartment prevents incorrect insertion of batteries; batteries available for replacement instantly when compartment door is opened
• Mixer can be powered from any 11 to 18 Vdc source such as: standard belt pack, automotive electrical system, video tape recorder, or ac power converter

Mechanical characteristics

• Extremely rugged and durable construction
• Very small size and light weight
• Carrying case and detachable shoulder strap supplied
• All input and output connectors are professional standard types

Performance

• Reliable operation under wide extremes of temperature and humidity
• Extremely low noise and low RF susceptibility permits use near microwave transmitters and in strong hum fields
• Wide, flat response, extremely low distortion, and up to + 18 dBm output level provide studio-quality performance in a portable mixer

Specifications Frequency Response 30Hz to 20kHz ± 2 dB Distortion Less than 0.25% total harmonic distortion at + 4 dBm, 50 Hz to 20 kHz Noise Less than -129 dBV equivalent input noise Common Mode Rejection 65 dB minimum at 100 Hz, -30 dBV input Tone Oscillator 1 kHz nominal at + 4 dBm, Master at approx. 7 Slate Tone 400 Hz, 1 sec, each time button is depressed Slate Microphone Electret condenser, omnidirectional, with AGC, activated while slate button is depressed Phase 3-pin Input & Output connectors in phase; pin 3 in phase with tip of phone & mini jacks Control Interaction Less than 1 dB with any control combination Output Isolation Shorting one output shall cause no more than 8 dB level drop at 1 kHz at other output Overload and Shorting Protection Shorting outputs, even for prolonged periods, shall cause no damage. Microphone inputs will not be damaged by signals up to 3 volts. Dimensions 48.3 mm Hx160mmWx 135mm D(1-7/8x6-5/16x 5-5/16 in.) Net Weight (less batteries) 1 kg (2.2 Ib) Supplied Accessories Removable shoulder strap, carrying case

For those times when you want a little bit of camera movement without pulling out the whole dolly, the Konova 80cm slider will do the trick. Made of anodized aluminum, so it's lightweight and tough, this can be mounted on one tripod, two tripods, or directly on the ground or other uneven surfaces thanks to its adjustable legs. Capable of being used horizontally, verically or on an angle all with the same ease of use and fluid motion. Can take up to 50kg, but recommended for use with DSLRs and smaller HD cameras. ***Note, does not come with head

Every videographer knows the value of a steady truck or dolly shot. But not every videographer has the budget to obtain the expensive moving equipment. And if you're anything like me, effectively achieving these professional shots without the aide of professional equipment, a.k.a. handholding, is next to impossible. The new Universal Dolly, Curved Track Kit from Indie-Dolly Systems was designed to be a high quality, cost effective solution..

Opening up the durable custom carrying case reveals the dolly platform, three heavy duty dolly arms and three wheel clusters containing six polyurethane skateboard wheels, (95a durometer rating,) in each cluster. Also included is a steel seat, a stainless steel seat post which attaches to one of four different locations on the dolly, and a stainless steel push bar.

SPECIAL ORDER - REQUIRES 1 WEEK NOTICE

6K 2.4:1 at up to 100 frames per second (fps), or 6K Full Frame at 75 fps.

Red Epic Dragon body w. Canon EF or PL mount 5” LCD touch screen V-Mount battery plate w 2x 95wh batteries + charger 120gb Minimag w. Minimag reader

NOTE: This uses Red Minimags – not gen 1 Redmags

NOTE: Pictured lens is not included. Please see lens page for options.

NOTE: Cineworks equipment credit doesn't apply to special order items

SPECIAL ORDER - REQUIRES 1 WEEK NOTICE

4.5k Red Dragon sensor 120fps at 4.5k, 240fps at 2k Red Raven IO body kit w. 5” LCD Pro Touch Native Canon EF mount (no lens included) 2x V-Mount batteries, charger, AC adapter included 120gb Minimag and reader included

NOTE: Cineworks equipment credit doesn't apply to special order items

SPECIAL ORDER - REQUIRES 1 WEEK NOTICE

Beautiful 4k RAW footage in an affordable, easy package. Red Scarlet X EF mount body 5” LCD screen, DSMC control handle 2x Redvolt batteries, charger, AC adapter 2x 64gb SSD card, SSD module, SSD reader/docking bay

NOTE: Pictured lens is not included. Please see lens page for options.

NOTE: Cineworks equipment credit doesn't apply to special order items.

SPECIAL ORDER - REQUIRES 1 WEEK NOTICE

Includes 1x 64gb XQD card & reader Canon EF mount included free! 2x batteries, charger, AC included UHD 4k, 180fps high speed, Super35 sensor

NOTE: Cineworks equipment credit doesn't apply to special order items.

SPECIAL ORDER - REQUIRES 1 WEEK NOTICE

Includes 1x 64gb XQD card & reader Canon EF mount included free! 2x batteries, charger, AC included UHD 4k, 180fps high speed, Super35 sensor

NOTE: Pictured lens is not included. Please see lens page for options.

NOTE: Cineworks equipment credit doesn't apply to special order items.

PECIAL ORDER - REQUIRES 1 WEEK NOTICE

Sony A7s2 body kit (64gb card, 2 batteries, charger, EF-Sony mount adapter...) Full frame sensor – up to 400,000ISO! In body Image Stabilization Amazing video quality with high dynamic range

NOTE: Cineworks equipment credit doesn't apply to special order items.

SPECIAL ORDER - REQUIRES 1 WEEK NOTICE

Canon 5D4 body kit (32gb card, 2 batteries, charger) 30mp Full frame sensor – up to 100,000ISO Dual-Pixel RAW mode 4k APS-C video with dual pixel auto focus 500Mbps video quality

NOTE: Cineworks equipment credit doesn't apply to special order items.

SPECIAL ORDER - REQUIRES 1 WEEK NOTICE

Includes 240gb SSD EF mount

NOTE: Cineworks equipment credit doesn't apply to special order items

With the new EOS 60D DSLR, Canon gives the photo enthusiast a powerful tool fostering creativity, with better image quality, more advanced features and automatic and in-camera technologies for ease-of-use. It features an improved APS-C sized 18.0 Megapixel CMOS sensor for tremendous images, a new DIGIC 4 Image Processor for finer detail and excellent colour reproduction, and improved ISO capabilities from 100 - 6400 (expandable to 12800) for uncompromised shooting even in the dimmest situations. The new Multi-control Dial enables users to conveniently operate menus and enter settings with a simple touch. The EOS 60D also features an EOS first: A Vari-angle 3.0-inch Clear View LCD (1,040,000 dots) monitor for easy low- or high-angle viewing. An improved viewfinder, a number of new in-camera creative options and filters, plus HDMI output for viewing images on an HDTV all make the EOS 60D invaluable for the evolving photographer.

• 17-85mm 4/5.6 Canon USM OIS lens
• 3 x Li-Ion batteries
• 2 x 16gb SDHC cards, card reader

Dragon Stop Motion as the name indicates, is software for shooting stop motion animations. The program allows you to hook up a video / photo / webcam input source and take stills which can then be reorganized into scenes. There are a couple of powerful features in this highly specialized tool which make this process a lot easier. One useful thing is the ability to control camera settings (aperture, focus, shutter speed, etc) from the software itself without having to adjust it on the physical device. Another great thing is the ability to toggle between past shots and the live preview which helps to align past shots to the next one and thus establishing a greater continuity. Related to this is the “short play” ability which plays back the last 12 frames. Users can also setup time lapsed shots and export to multiple formats (JPG, Quicktime, etc.) Once enough shots or frames are taken, the X-sheet view allows you to edit and manage them.

With the new EOS 60D DSLR, Canon gives the photo enthusiast a powerful tool fostering creativity, with better image quality, more advanced features and automatic and in-camera technologies for ease-of-use. It features an improved APS-C sized 18.0 Megapixel CMOS sensor for tremendous images, a new DIGIC 4 Image Processor for finer detail and excellent colour reproduction, and improved ISO capabilities from 100 - 6400 (expandable to 12800) for uncompromised shooting even in the dimmest situations. The new Multi-control Dial enables users to conveniently operate menus and enter settings with a simple touch. The EOS 60D also features an EOS first: A Vari-angle 3.0-inch Clear View LCD (1,040,000 dots) monitor for easy low- or high-angle viewing. An improved viewfinder, a number of new in-camera creative options and filters, plus HDMI output for viewing images on an HDTV all make the EOS 60D invaluable for the evolving photographer.

 

• 17-85mm 4/5.6 Canon USM OIS lens
• 3 x Li-Ion batteries
• 2 x 16gb SDHC cards, card reader
  

With the new EOS 60D DSLR, Canon gives the photo enthusiast a powerful tool fostering creativity, with better image quality, more advanced features and automatic and in-camera technologies for ease-of-use. It features an improved APS-C sized 18.0 Megapixel CMOS sensor for tremendous images, a new DIGIC 4 Image Processor for finer detail and excellent colour reproduction, and improved ISO capabilities from 100 - 6400 (expandable to 12800) for uncompromised shooting even in the dimmest situations. The new Multi-control Dial enables users to conveniently operate menus and enter settings with a simple touch. The EOS 60D also features an EOS first: A Vari-angle 3.0-inch Clear View LCD (1,040,000 dots) monitor for easy low- or high-angle viewing. An improved viewfinder, a number of new in-camera creative options and filters, plus HDMI output for viewing images on an HDTV all make the EOS 60D invaluable for the evolving photographer.

 

• 17-85mm 4/5.6 Canon USM OIS lens
• 3 x Li-Ion batteries
• 2 x 16gb SDHC cards, card reader
• PLUS ProAim DSLR kit w/ follow focus. mattebox, handheld rig
  

 

Canon's XF105 HD Professional Camcorder is an amazingly compact, fully featured pro video camera that imports nearly all the features and functionality of the 3-chip XF305 into a smaller, single sensor form factor. Taking advantage of the latest HD technology--along with Canon's robust MPEG-2 4:2:2 codec--the XF105 records full HD video to affordable Compact Flash cards, making it as versatile as it is powerful. A newly developed Genuine Canon 10x HD video lens resolves images onto a native 1920 x 1080 CMOS sensor, which are captured in industry-standard MXF file wrappers using your choice of bit rate (up to 50Mbps), resolution, and frame rate.

• MPEG-2 4:2:2 50Mbps Codec (Canon XF Codec)
• Major NLE Software Compatibility
• Genuine Canon 10x HD Video Lens
• Canon Native 1920 x 1080 CMOS Image Sensor
• Industry Standard HD-SDI Output, Genlock & SMPTE Time Code and Other Terminals
• Multiple Recording Bit Rates, Resolutions, and Variable Frame Rates
• Canon DIGIC DV III Image Processor
• Built-in 3-D Assist Features
• Infrared Recording
• Large, 3.5-inch, 920,000 Dot LCD Monitor and EVF

Cineworks package comes with 3 batteries, 3 x 32gb CF cards, wide angle adapter, telephoto adapter, 3 filter kit

The Panasonic Lumix DMC-GH4 4K Mirrorless Micro Four Thirds Digital Camera is a true hybrid camera designed for both professional photo and video use. It features a 16.05-megapixel Digital Live MOS sensor and a 4-CPU Venus Engine, capable of capturing high-resolution JPEG and RAW stills, as well as UHD 4K 3840x2160 30p/24p and cinematic DCI 4K 4096x2160 video at 24p. Like its predecessor, the GH4 features a weather-sealed magnesium alloy body, while offering increased resolution on both the OLED monitor and electronic viewfinder. It also features built-in Wi-Fi with NFC technology, in-camera creative controls, and a high-speed 49-point autofocus in both photo and video mode.

Professional 4K Video Recording The DMC-GH4 brings the GH-line into the 4K age by offering both 16:9 UHD 4K 3840x2160 video at 23.98p, 24p or 29.97p, and 17:9 DCI (Digital Cinema Initiatives) 4K 4096x2160 videos at 24p. 4K resolutions can be recorded as MOV or MP4 files in high bitrate 100 Mbps IPB codec. When recording at 100 Mbps, you will need an SDHC/SDXC memory card capable of handling the transfer speed.

Comes with 3 batteries, 3 x 64gb SDXC U3 cards and a Lumix 14-140mm T3.5-5.6 zoom lens

The Panasonic Lumix DMC-GH4 4K Mirrorless Micro Four Thirds Digital Camera is a true hybrid camera designed for both professional photo and video use. It features a 16.05-megapixel Digital Live MOS sensor and a 4-CPU Venus Engine, capable of capturing high-resolution JPEG and RAW stills, as well as UHD 4K 3840x2160 30p/24p and cinematic DCI 4K 4096x2160 video at 24p. Like its predecessor, the GH4 features a weather-sealed magnesium alloy body, while offering increased resolution on both the OLED monitor and electronic viewfinder. It also features built-in Wi-Fi with NFC technology, in-camera creative controls, and a high-speed 49-point autofocus in both photo and video mode.

Professional 4K Video Recording The DMC-GH4 brings the GH-line into the 4K age by offering both 16:9 UHD 4K 3840x2160 video at 23.98p, 24p or 29.97p, and 17:9 DCI (Digital Cinema Initiatives) 4K 4096x2160 videos at 24p. 4K resolutions can be recorded as MOV or MP4 files in high bitrate 100 Mbps IPB codec. When recording at 100 Mbps, you will need an SDHC/SDXC memory card capable of handling the transfer speed.

Comes with 3 batteries and 3 x 64gb SDXC U3 cards.

Make the most of this camera's 4K capabilities by pairing it with Zeiss T1.3 35mm prime lens kit (18mm, 25mm, 35mm, 50mm, 85mm)